In order to emphasize the application of Freytag’s Pyramid you are to write a brief story about this prompt: Abby Willingham has a problem.
Your story should reveal each component of Freytag’s Pyramid. Your character, Abby Willingham, can be any age and in any situation you desire to put her in as long as your material does not violate the school’s standards, when in doubt use common sense.
This exercise is designed to emphasize the portion of the mid year exam that utilizes Freytag’s pyramid. Understanding a concept is one aspect of mastery, applying that concept, in a variety of ways, is another level of mastery.
FREYTAG’S PYRAMID
Exposition The exposition is the introductory information in a story/drama. The exposition provides the background information needed to properly understand the story, such as the essential characters and the setting.
Inciting Momen t The inciting moment in a story/drama occurs when the reader understands the problem that the protagonist is confronted with.
Dramatic Question The dramatic question is a reflex of the inciting moment. The dramatic question is a question that the reader has about the welfare of the protagonist.
Rising Action During rising action, the basic internal conflict is complicated by the introduction of related secondary conflicts, including various obstacles that frustrate the protagonist’s attempt to reach his goal. Secondary conflicts can include adversaries of lesser importance than the story’s antagonist, who may work with the antagonist or separately, by and for themselves or actions unknown. In short, the rising action is the complication of the plot.
Crisis Situation The crisis situation occurs directly before the climax. The crisis situation is the point in the story where the reader/audience understands that the protagonist is about to win or lose his conflict.
Climax The Climax is the highest point of interest of a story/drama. The climax may represent a turning point, which marks a change, for the better or the worse, in the protagonist’s affairs. If the story is a comedy, things will have gone badly for the protagonist up to this point; now, the tide, so to speak, will turn, and things will begin to go well for him or her. If the story is a tragedy, the opposite state of affairs will ensue, with things going from good to bad for the protagonist. Simply put, this is where the main part happens or the most dramatic part.
Falling Action During the falling action, or resolution, which is the moment of reversal after the climax, the conflict between the protagonist and the antagonist unravels; remaining questions in the reader’s/audience’s mind are addressed. The falling action might contain a moment of final suspense, during which the final outcome of the conflict is in doubt. Summary: The falling action is that part of the story in which the main part (the climax) has finished and you’re heading to the conclusion.
Dénouement The dénouement (pronounced /deɪnuːˈmɑ̃ː/, /deɪnuːˈmɒn/, or UK /deɪˈnuːmɑ̃ː/; French: [denuˈmɑ̃]) comprises events between the falling action and the actual ending scene of the drama or narrative and thus serves as the conclusion of the story. Conflicts are resolved, creating normality for the characters and a sense of catharsis, or release of tension and anxiety, for the reader. Etymologically, the French word dénouement is derived from the Old French word denoer, “to untie”, and from nodus, Latin for “knot.” Simply put, dénouement is the unraveling or untying of the complexities of a plot. The dénouement is represented as a les