Poems Academic

Mirror by Sylvia Plath

I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful-
The eye of the little god, four cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

Summer Remembered by Isabella Gardner 

Sounds sum and summon the remembering of summers.

The humming of the sun
The mumbling in the honey-suckle vine
The whirring in the clovered grass
The pizzicato plinkle of ice in an auburn
uncle’s amber glass.
The whing of father’s racquet and the whack
of brother’s bat on cousin’s ball
and calling voices call-
ing voices spilling voices…

The munching of saltwater at the splintered dock
the slap and slop of waves on little sloops
The quarreling of oarlocks hours across the bay
The canvas sails that bleat as they
are blown. The heaving buoy bell-
ing HERE I am
HERE you are HEAR HEAR

listen listen listen
The gramophone is wound
the music goes round and around
BYE BYE BLUES LINDY’S COMING
voices calling calling calling
“Children! Children! Time’s Up
Time’s Up”

Merrily sturdily wantonly the familial voices
cheerily chidingly call to the children TIME’S UP
and the mute children’s unvoiced clamor sacks the summer air
crying Mother Mother are you there?

 Blue Girls by John Crowe Ransom

Twirling your blue skirts, travelling the sward
Under the towers of your seminary,
Go listen to your teachers old and contrary
Without believing a word.

Tie the white fillets then about your hair
And think no more of what will come to pass
Than bluebirds that go walking on the grass
And chattering on the air.

Practice your beauty, blue girls, before it fail;
And I will cry with my loud lips and publish
Beauty which all our power shall never establish,
It is so frail.

For I could tell you a story which is true;
I know a woman with a terrible tongue,
Blear eyes fallen from blue,
All her perfections tarnished — yet it is not long
Since she was lovelier than any of you.

Once by the Pacific

The shattered water made a misty din.
Great waves looked over others coming in,
And thought of doing something to the shore
That water never did to land before.
The clouds were low and hairy in the skies,
Like locks blown forward in the gleam of eyes.
You could not tell, and yet it looked as if
The shore was lucky in being backed by cliff,
The cliff in being backed by continent;
It looked as if a night of dark intent
Was coming, and not only a night, an age.
Someone had better be prepared for rage.
There would be more than ocean-water broken
Before God’s last Put out the light was spoken.

Ex-Basketball Player

BY JOHN UPDIKE

Pearl Avenue runs past the high-school lot,
Bends with the trolley tracks, and stops, cut off
Before it has a chance to go two blocks,
At Colonel McComsky Plaza. Berth’s Garage
Is on the corner facing west, and there,
Most days, you’ll find Flick Webb, who helps Berth out.
Flick stands tall among the idiot pumps—
Five on a side, the old bubble-head style,
Their rubber elbows hanging loose and low.
One’s nostrils are two S’s, and his eyes
An E and O. And one is squat, without
A head at all—more of a football type.
Once Flick played for the high-school team, the Wizards.
He was good: in fact, the best. In ’46
He bucketed three hundred ninety points,
A county record still. The ball loved Flick.
I saw him rack up thirty-eight or forty
In one home game. His hands were like wild birds.
He never learned a trade, he just sells gas,
Checks oil, and changes flats. Once in a while,
As a gag, he dribbles an inner tube,
But most of us remember anyway.
His hands are fine and nervous on the lug wrench.
It makes no difference to the lug wrench, though.
Off work, he hangs around Mae’s Luncheonette.
Grease-gray and kind of coiled, he plays pinball,
Smokes those thin cigars, nurses lemon phosphates.
Flick seldom says a word to Mae, just nods
Beyond her face toward bright applauding tiers
Of Necco Wafers, Nibs, and Juju Beads.

I years had been from home,

I years had been from home,
And now, before the door,
I dared not open, lest a face
I never saw before

Stare vacant into mine
And ask my business there.
My business,–just a life I left,
Was such still dwelling there?

I fumbled at my nerve,
I scanned the windows near;
The silence like an ocean rolled,
And broke against my ear.

I laughed a wooden laugh
That I could fear a door,
Who danger and the dead had faced,
But never quaked before.

I fitted to the latch
My hand, with trembling care,
Lest back the awful door should spring,
And leave me standing there.

I moved my fingers off
As cautiously as glass,
And held my ears, and like a thief
Fled gasping from the house.

Emily Dickinson

 

130. Give me the Splendid, Silent Sun 

 

 

1
GIVE me the splendid silent sun, with all his beams full-dazzling;
Give me juicy autumnal fruit, ripe and red from the orchard;
Give me a field where the unmow’d grass grows;
Give me an arbor, give me the trellis’d grape;
Give me fresh corn and wheat—give me serene-moving animals, teaching content;          5
Give me nights perfectly quiet, as on high plateaus west of the Mississippi, and I looking up at the stars;
Give me odorous at sunrise a garden of beautiful flowers, where I can walk undisturb’d;
Give me for marriage a sweet-breath’d woman, of whom I should never tire;
Give me a perfect child—give me, away, aside from the noise of the world, a rural, domestic life;
Give me to warble spontaneous songs, reliev’d, recluse by myself, for my own ears only;   10
Give me solitude—give me Nature—give me again, O Nature, your primal sanities!
—These, demanding to have them, (tired with ceaseless excitement, and rack’d by the war-strife;)
These to procure, incessantly asking, rising in cries from my heart,
While yet incessantly asking, still I adhere to my city;
Day upon day, and year upon year, O city, walking your streets,   15
Where you hold me enchain’d a certain time, refusing to give me up;
Yet giving to make me glutted, enrich’d of soul—you give me forever faces;
(O I see what I sought to escape, confronting, reversing my cries;
I see my own soul trampling down what it ask’d for.)
2
Keep your splendid, silent sun;
  20
Keep your woods, O Nature, and the quiet places by the woods;
Keep your fields of clover and timothy, and your corn-fields and orchards;
Keep the blossoming buckwheat fields, where the Ninth-month bees hum;
Give me faces and streets! give me these phantoms incessant and endless along the trottoirs!
Give me interminable eyes! give me women! give me comrades and lovers by the thousand!   25
Let me see new ones every day! let me hold new ones by the hand every day!
Give me such shows! give me the streets of Manhattan!
Give me Broadway, with the soldiers marching—give me the sound of the trumpets and drums!
(The soldiers in companies or regiments—some, starting away, flush’d and reckless;
Some, their time up, returning, with thinn’d ranks—young, yet very old, worn, marching, noticing nothing;)   30
—Give me the shores and the wharves heavy-fringed with the black ships!
O such for me! O an intense life! O full to repletion, and varied!
The life of the theatre, bar-room, huge hotel, for me!
The saloon of the steamer! the crowded excursion for me! the torch-light procession!
The dense brigade, bound for the war, with high piled military wagons following;   35
People, endless, streaming, with strong voices, passions, pageants;
Manhattan streets, with their powerful throbs, with the beating drums, as now;
The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the wounded;)
Manhattan crowds, with their turbulent musical chorus—with varied chorus, and light of the sparkling eyes;
Manhattan faces and eyes forever for me.   40